In other words, the triggered sample plays on the specific channel and through the specific chain you actually insert the note event on. The "relic" part doesn't factor in as much as you might think (even historically, when compared to the timeline of other sequencer styles).Ī workflow feature that one often forgets to mention - maybe because it's so alien to the way we usually think of instrument placement in relation to its downstream signal chain - is the way effect chains in trackers like Renoise are completely separated from the sample/instrument source you are using. Considering how modern and extensible Renoise is (just check for example), I'd say it's for people who prefer to work in that manner, period :). Nah, plenty of under 20yo tracker users around.
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